1903: Mission to Ento

Weiss CoverFrom the preface to Journeys to the Planet Mars; or, Our Mission to Ento (1903), originally published as Journeys to the Planet Mars, or, Our mission to Ento (Mars): Being a Record of Visits Made to Ento (Mars) by Sara Weiss, Psychic, Under the Guidance of a Spirit Band, For the Purpose of Conveying to the Entoans a Knowledge of the Continuity of Life, Transcribed Automatically by Sara Weiss, Under the Editorial Direction of (Spirit) Carl De L’Ester:

With occasional brief interruptions, our journeys to the Planet, astronomically known as Mars, but to its inhabitants as Ento, which in the Ento language signifies “chosen, or set apart,” extended from October 6, 1892, to September 16, 1894. During this period, through a rather rare phase of mediumship, which we term semi-automatism, the objective, or soul consciousness of our instrument was controlled to write certain observations and experiences….Our mission to Ento was undertaken for a specific purpose, the record of its various features being a secondary affair, but of sufficient importance to induce us to undertake the task, which to all concerned, has been purely a labor of love. Largely, it has been written for the purpose of affording our Earthians information which only through the mediation of discarnated spirits can be obtained. To scientific inquiry, in whatsoever direction, there is a limit beyond which the physically embodied man cannot penetrate, but to freed, most exalted spirits from whom we receive instruction, the depths of unthinkably boundless space are accessible. To spirits less exalted as we are, the planets of our solar system afford free fields of observation, and in some far distant time you and we, dear reader, through loving service for Humanity, may find ourselves so purified, through earnest investigation and lofty aspiration, so learned, so exalted, that together we may journey beyond suns and worlds of which your photographers catch imprints, as faint as smiles on the white faces of your dear dead. And may we hope that in reading of our mission to Ento, you may find some expression of thought, some lesson which may aid you in ascending the heights, ever leading toward exalted states of being, thus nearer to a realizing sense of the all pervading, infinite spirit of an infinite universe.

Here is the book’s glossary, with the elaborate diacritical marks of the Ento language omitted:

GlossaryA.
Andumana — Supreme One. Creator of all things.
Acclinum — Zoological collection.
Acrocusteno ingolavion — Amphibious flesh eater.
Angossa — Hornless animal. Hornless.
Astranola — Realm of Deific ones.
A-Muista — Manlike Anthropoid.
Andomah — Primary school.
Azeon — God of Love.
Alista — Mountain. Very lofty, etc.
Alzoytas — Sacred bird of Astranola, whose wings over-shadow the Death Realm.
Avon muya — Good bye, or may the Gods protect you.
Anadillo Pylo — Scaly armored amphibian.
Anadillo akedon — Scaly armored reptile.

B.
Bomuz himmu — Manlike tree climber,
Birrsch — Trowser.
Birrscha — Trowsers.
Bomuz — Man.
Brillo — Froglike creature.
Bendolu — Rainbow.
Bendolu iffon — Rainbow hued.
Budas — Tremulous.
Budas lota — A gigantic tree, whose palmlike foliage trembles incessantly.

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1986: Blast Furnace

Blast Furnace

Bernd and Hilla Becher: Blast Furnace: Völklingen, Saar, Germany (1986; printed 1989)

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1944: Model City

LA

The decorative industrial management buildings and exhibition centers in authoritarian countries are much the same as anywhere else. The huge gleaming towers that shoot up everywhere are outward signs of the ingenious planning of international concerns, toward which the unleashed entrepreneurial system (whose monuments are a mass of gloomy houses and business premises in grimy, spiritless cities) was already hastening. Even now the older houses just outside the concrete city centres look like slums, and the new bungalows on the outskirts are at one with the flimsy structures of world fairs in their praise of technical progress and their built-in demand to be discarded after a short while like empty food cans. Yet the city housing projects designed to perpetuate the individual as a supposedly independent unit in a small hygienic dwelling make him all the more subservient to his adversarythe absolute power of capitalism.

Theodor Adorno and Max Horkheimer: “The Culture Industry: Enlightenment as Mass Deception” from Dialectic of Enlightenment (1944)

City_Model_MC_RyanMiller_CaptureImaging

Above: A worker places a miniature City Hall into a scale model of Los Angeles made as a Works Progress Administration project from 1939 to 1940.

Left: The model is still on display at Los Angeles County’s Natural History Museum.

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1594: So Tempting

Temptation

Maerten de Vos: The Temptation of Saint Anthony [detail] (1594)
Click on the image to see the whole painting.

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1642: An Undignified Pursuit

Mazarin-mignard

In 1642, the Italian diplomat Cardinal Jules Mazarin succeded Cardinal Richelieu as the Chief Minister to the King of France. Following the Thirty Years’ War, he played a major role in developing the notion of Westphalian sovereignty, the principle of non-interference in another country’s domestic affairs that would shape international relations in Europe and still today remains the basis of international law. The following anecdote is related in Charles Shriner’s Wit, Wisdom and Foibles of the Great (1918):

Cardinal Mazarin is said to have been fond of shutting himself up in a room and jumping over the chairs arranged in positions varying the difficulty of clearing them. On one occasion he forgot to lock the door. A young courtier inadvertently entered the room and surprised the cardinal in his undignified pursuit. It was an embarrassing position; for Mazarin, he knew, was as haughty as he was eccentric. The young man was equal to the crisis. Assuming the intensest interest in the proceedings, he said with a well-feigned earnestness: “I will bet your eminence two gold pieces that I will beat that jump.” He had struck the right chord and in two minutes he was measuring his leaping powers with the prime minister, whom he took care not to beat; he lost his two gold pieces but he gained before long a miter.

Image: Portrait of Mazarin by Pierre Mignard (1658)

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1928: Christopher Robin, Good-bye,

pooh group1628604

“Don’t Bustle me,” said Eeyore, getting up slowly. “Don’t now-then me.” He took a piece of paper from behind his ear, and unfolded it. “Nobody knows anything about this,” he went on. “This is a Surprise.” He coughed in an important way, and began again: “What-nots and Etceteras, before I begin, or perhaps I should say, before I end, I have a piece of Poetry to read to you. Hithertohithertoa long word meaningwell, you’ll see what it means directlyhitherto, as I was saying, all the Poetry in the Forest has been written by Pooh, a Bear with a Pleasing Manner but a Positively Startling Lack of Brain. The Poem which I am now about to read to you was written by Eeyore, or Myself, in a Quiet Moment. If somebody will take Roo’s bull’s-eye away from him, and wake up Owl, we shall all be able to enjoy it. I call itPOEM.”

This was it:

Christopher Robin is going.
At least I think he is.
Where?
Nobody knows.
But he is going—
I mean he goes
(To rhyme with “knows”)
Do we care?
(To rhyme with “where”)
We do
Very much.
(I haven’t got a rhyme for that “is” in the second line yet. Bother.)
(Now I haven’t got a rhyme for bother. Bother.)
Those two bothers will have to rhyme with each other Buther.
The fact is this is more difficult than I thought,
I ought—
(Very good indeed)
I ought
To begin again,
But it is easier
To stop.
Christopher Robin, good-bye,
I
(Good)
I
And all your friends
Sends—
I mean all your friend
Send—
(Very awkward this, it keeps going wrong)
Well, anyhow, we send Our love
END.

“If anybody wants to clap,” said Eeyore when he had read this, “now is the time to do it.”

They all clapped.

“Thank you,” said Eeyore. “Unexpected and gratifying, if a little lacking in Smack.”

“It’s much better than mine,” said Pooh admiringly, and he really thought it was.

“Well,” explained Eeyore modestly, “it was meant to be.”

“The rissolution,” said Rabbit, “is that we all sign it, and take it to Christopher Robin.”

So it was signed PooH, WOL, PIGLET, EOR, RABBIT, KANGA, BLOT, SMUDGE, and they all went off to Christopher Robin’s house with it.

—A. A. Milne, The House at Pooh Corner (1928)

Image: Winnie-the-Pooh, Kanga, Piglet, Eeyore, and Tigger. The original stuffed animals that were given to Christopher Robin Milne when he was a little boy, ca. 1920s. (source)

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1934: Unreal City

Carel Willink - Stadsgezicht [Cityscape] (1934)

Carel Willink: Stadsgezicht [Cityscape] (1934)

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1904: Art Forms

Stephoidea [detail] - from Ernst Haeckel's Kunstformen der Natur (1904)

Plates from Ernst Haeckel’s Kunstformen der Natur (1904):

See more here.

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1920: Helen Keller Holding a Magnolia

Los Angeles Times - Helen Keller holding a magnolia flower (circa 1920)

When Helen Keller announced that she had become a socialist, “newspaper columnists who had praised her courage and intelligence before…now called attention to her disabilities.” The editor of the Brooklyn Eagle, for example, opined that her “mistakes sprung out of the manifest limitations of her development.” Keller responded, referring to a meeting  between her and the editor before he knew about her politics:

At that time the compliments he paid me were so generous that I blush to remember them. But now that I have come out for socialism he reminds me and the public that I am blind and deaf and especially liable to error. I must have shrunk in intelligence during the years since I met him. … Oh, ridiculous Brooklyn Eagle! Socially blind and deaf, it defends an intolerable system, a system that is the cause of much of the physical blindness and deafness which we are trying to prevent.

Image: Helen Keller holding a magnolia, ca. 1920
(source)

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1993: Traditional Theme

Temptation

Victor Safonkin: Temptation of St. Anthony (1993)
(source)

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