Author Archives: corvusfugit

2015: Grid

Posted on March 22, 2021 by corvusfugit

Victor Hugo Zayas: Grid Series 16 (2015)

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1909: The Seven Ravens

Posted on March 17, 2021 by corvusfugit

The good little sister took a knife and cut off her own tiny finger, fitted it into the keyhole, and succeeded in opening the lock. When she had entered, she met a Dwarf, who said: “My child, what are you … Continue reading →

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1941: A Thing of Beauty is a Joy Forever

Posted on March 15, 2021 by corvusfugit

Russell Lee: Candy stand run by Negro. Southside, Chicago, Illinois (1941) A thing of beauty is a joy for ever: Its loveliness increases; it will never Pass into nothingness; but still will keep A bower quiet for us, and a … Continue reading →

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1966: Coleslaw

Posted on March 13, 2021 by corvusfugit

From a 1996 essay by Elisabeth Roudinesco, “Lacan and Derrida in the History of Psychoanalysis”: The first encounter between Lacan and Derrida took place…at a famous symposium held in Baltimore in October 1966, which, under the auspices of the Center … Continue reading →

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1980: Burnt House

Posted on March 4, 2021 by corvusfugit

Robert Gober: Burnt House (1980)

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2nd Century: Dodecahedron

Posted on February 28, 2021 by corvusfugit

The following entry appears in the 1849 catalog of the miscellaneous collections of the Society of Antiquaries of London: A singular object of bronze, in form of a hollow dodecahedron…with a ball attached to each angle; each of its pentagonal … Continue reading →

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1928: Damaged

Posted on February 27, 2021 by corvusfugit

Walker Evans: [Workers Loading Neon “Damaged” Sign into Truck, West Eleventh Street, New York City] (1928-1930)

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19th Century: Provenance Unknown

Posted on February 21, 2021 by corvusfugit

Portrait of a child holding a lizard. Nineteenth or twentieth century, maybe American.

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1390: And the Books Were Opened

Posted on February 20, 2021 by corvusfugit

Jacobello Alberegno’s polyptych of the Apocalypse was originally part of a much larger set of artworks in the church of the Benedictine convent of San Giovanni Evangelista on the Venetian island of Torcello; it is now on display in the … Continue reading →

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1889: Artist-in-Residence

Posted on December 5, 2020 by corvusfugit

The celebrated 19th century French painter and sculptor Rosa Bonheur was known for wearing men’s pants, shirts, and ties, as well as participating in traditionally masculine activities such as hunting and smoking. She lived with her lifelong partner, Nathalie Micas … Continue reading →

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