1776: The Resurrection of the Universal Friend

Jemima WilkinsonBorn in Rhode Island in 1752, Jemima Wilkinson would become, at the age of 25, the first American-born woman to found a religious groupfollowing what she claimed was her death and resurrection. She abandoned her birth name, asked to be referred to as “The Publick Universal Friend,” and asserted that she was no longer male or female.

Wilkinson’s family attended Quaker meetings and, in her 20’s, Wilkinson also attended meetings with New Light Baptists, a movement that was part of the Great Awakening, a religious revival in the American colonies. Her mother died when she was fourteen.

In 1776, a minor typhoid epidemic spread through Rhode Island, and Wilkinson contracted the disease.

In a few weeks after, she became feeble and wan and the apparent decline of her health so increased the solicitude of the family; that nightly watchers were procured to attend in her room, while she received the constant care of her sisters by day. She now began to speak of having visions from heaven, and extraordinary visitations from the regions beyond the …. On Thursday evening, about the latter end of October 1776, two women of the neighbourhood came to watch with Jemima…. until a little past eleven o’clock, when she fell into a light slumber, and continued in that situation for nearly an hour. Her nurses, during this interval of quiet, went several times to her bed side, and observed her to be pale and motionless, and apparently lifeless ; but upon a close examination found her features unchanged, her pulse regular, and her respiration so soft and silent as almost to elude the closest scrutiny. Immediately after the clock struck twelve, she raised herself up in bed, and appeared as if suddenly awakened from a refreshing sleep. Her attendants inquired of her what she wanted, when to their utter astonishment, she, in an authoritative tone, and a voice much stronger than usual, demanded her clothes; one of them desired her to lie clown and compose herself to rest, but she still persisted in her demand with increased firmness and austerity, declaring she had passed the gates of death, and was now risen from the dead. Her father, who had been sleeping in an adjoining room, being awakened by their loud talk, rose and came to the door, and on being informed of her strange whims, endeavored to quiet her clamour and sooth her to repose, but she disdainfully rejected his kind attentions, as an impertinent interference, and told him she owed obedience to the higher powers only. Her apparel was procured, and she immediately got up and dressed herself, and from that lime forward went about in apparently as good health as she had usually enjoyed, though somewhat feeble and emaciated by her long confinement.

She soon began to preach and attract followers. In her new persona, she rejected gendered pronouns and her birth name:

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1871: Llyn Nant-y-Clif

Charles Leslie - Welsh Landscape, Llyn Nant-y-Clif, North Wales (1871)

Charles Leslie: Welsh Landscape, Llyn Nant-y-Clif, North Wales (1871)

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1998: Qajar

Qajar#31998

Shadi Ghadrian: Qajar #3 (1998) (source)

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1918: No Bigger than a Bumble-Bee

Moorland Stream

There are some curious old stories told in the Scotch Highlands about dreams. It was believed that when asleep the mind or soul of the sleeper leaves his body and goes far afield, and when he awakes he recalls his adventures as “a dream.

One warm day in summer two young men were sitting together near the hank of a small stream. Becoming sleepy from the heat, one of them took a nap, while his friend watched beside him. Suddenly he was surprised to see a tiny form, no bigger than a bumble-bee, issue from the mouth of the sleeping man, It quickly ran down the bank of the stream and crossed it by jumping upon the branch of a tree which had fallen across the stream it then climbed up the bank and disappeared.

The watcher was so startled by what he had seen that he shook his friend in order to awaken him. Before he had opened his eyes, however, the tiny little creature reappeared. recrossed the stream in great haste, and entered his mouth.

Thereupon the man yawned. stretched himself, and, opening his eyes, remarked : “Why did you wake me; I was having such a wonderful dream. I dreamed that I crossed a wide river and walked through a most beautiful country ; after awhile I came to a wonderful castle, but there was no one in it. I walked through room after room, until at last I came to one which was filled with gold, silver, and precious stones. I was just filling my pockets when you rudely awakened me.”

The Volta Review Vol. 20, No. 11 (November, 1918)

Image: William Lakin Turner: A Moorland Stream, Scotland (1901)

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1951: Knock Him Out!

Bernard Seaman - CIO Poster (1951)

“Knock Him Out! Labor Can Do It.” Poster by Bernard Seaman. CIO Committee to Abolish Racial Discrimination, 1951. (source)

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1850: The Last Hoopoe Starling

fregilupus-varius (1907)

FREGILUPUS VARIA

As long ago as 1674 a note about the “Huppe” exists, by “Le Sieur D.B.,” i.e., Dubois. He says, when describing the birds of Réunion (translated): “Hoopoes or ‘Callendres,’ having a white tuft on the head, the rest of the plumage white and grey, the bill and the feet like a bird of prey; they are a little larger than the young pigeons; this is another good game (i.e., to eat) when it is fat.”

This description has generally been accepted as referring to the Fregilupus, though that of the bill and feet is then due to an error of the author, for Fregilupus has the bill and feet of a member of the Sturnidae or family of Starlings.

Good descriptions and representations of the “Huppe” have been given in many places…but whether they were taken from males or females is generally not known. The sexes seem to be alike in colour, but the female is smaller, and has a shorter and straighter bill than the male. At least, this is the conclusion of Dr. Hartert, who saw the four examples in the museum at Troyes. As far as he could see through the glass all four seemed to be adult birds, but two were larger with longer and more curved bills, two smaller and with shorter and straighter beaks, so that they are evidently two pairs.

This bird seems to have become extirpated about the middle of the last century. The late Monsieur Pollen wrote in 1868 (translated): “This species has become so rare that one did not hear them mentioned for a dozen years. It has been destroyed in all the littoral districts, and even in the mountains near the coast. Trustworthy persons, however, have assured us that they must still exist in the forests of the interior, near St. Joseph. The old creoles told me that, in their youth, these birds were still common, and that they were so stupid that one could kill them with sticks. They call this bird the “Hoopoe.” It is, therefore, not wrong what a distinguished inhabitant of Réunion, Mr. A. Legras, wrote about this bird with the following words : “The Hoopoe has become so rare that we have hardly seen a dozen in our wanderings to discover birds; we were even grieved to search for it in vain in our museum.”

We are certain that Fregilupus existed still on Réunion in 1835, as Monsieur Desjardins, living on Mauritius, wrote in a manuscript formerly belonging to the late Professor Milne-Edwards: “My friend, Marcelin Sauzier, has sent me four alive from Bourbon in May, 1835. They eat everything. Two have escaped some months afterwards, and it might well happen that they will stock our forests.”

It seems, indeed, that specimens were killed in 1837 on Mauritius, where they did not originally exist. Verreaux shot an example in Reunion in 1832.

The names “La Huppe du Cap” and “Upupa madagascariensis” arose out of the mistaken notions that this bird lived in South Africa or Madagascar, but we know now that its real home was Réunion or Bourbon.

WE ARE AWARE OF THE FOLLOWING SPECIMENS PRESERVED IN
COLLECTIONS.

2 stuffed ones, one in good, one in bad condition, and two in spirits, in the Paris Museum.
4 stuffed in Troyes
1 stuffed, from the Riocour collection, in the British Museum. 1 in the Florence Museum.
1 in Turin.
1 in Pisa.
1, rather poor and old, in Leyden.
1 in Stockholm.
1 in the Museum at Port Louis, on the island of Mauritius.
1 in the collection of the late Baron de Selys Longchamps. 1 in Genoa.

—Lionel Walter Rothschild: Extinct birds: an attempt to unite in one volume a short account of those birds which have become extinct in historical times : that is, within the last six or seven hundred years : to which are added a few which still exist, but are on the verge of extinction (1907) (source)

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1922: Hercules

John Singer Sargent - Hercules and the Hydra

John Singer Sargent: Hercules and the Hydra (1922-1925) (source)

After the goddess Hera makes Hercules lose his mind and murder his own wife and children, he prays to Apollo for guidance and it told by the god’s oracle to atone by serving Eurystheus, the king of Tiryns and Mycenae, for twelve years. Eurystheus commands him to perform twelve labors; the story of the second is told in the Bibliotheca of Pseudo-Apollodorus:

As a second labour [Eurystheus] ordered [Hercules] to kill the Lernaean hydra. That creature, bred in the swamp of Lerna, used to go forth into the plain and ravage both the cattle and the country. Now the hydra had a huge body, with nine heads, eight mortal, but the middle one immortal. So mounting a chariot driven by Iolaus, he came to Lerna, and having halted his horses, he discovered the hydra on a hill beside the springs of the Amymone, where was its den. By pelting it with fiery shafts he forced it to come out, and in the act of doing so he seized and held it fast. But the hydra wound itself about one of his feet and clung to him. Nor could he effect anything by smashing its heads with his club, for as fast as one head was smashed there grew up two. A huge crab also came to the help of the hydra by biting his foot. So he killed it, and in his turn called for help on Iolaus who, by setting fire to a piece of the neighboring wood and burning the roots of the heads with the brands, prevented them from sprouting. Having thus got the better of the sprouting heads, he chopped off the immortal head, and buried it, and put a heavy rock on it, beside the road that leads through Lerna to Elaeus. But the body of the hydra he slit up and dipped his arrows in the gall.  (James George Frazer, trans.)

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1964: Bastard

Richard Baker - Violette Leduc - La Batarde (2011)

Women cheat, women suffer. They used to be attractive—so they smooth away their age. I shout mine aloud because I was never attractive, because I shall always have my baby hair. It’s taken me two and a half hours to write that, two and a half pages of my exercise book. I shall keep on, I shall not lose heart. The next morning, eight o’clock in the morning of June 24, 1962. I’ve changed my place, I’m writing in the woods because of the heat. Began my day by picking a bunch of wild sweet peas and picking up a feather. And I complain about being in the world, in a world of trills and thistles. The chestnut trees are slender, their trunks are languid. The light, my light, has been tamed by the leaves. It’s new and it’s the newness of my day.

Violette Leduc, The Bastard (1964)

Image: Richard Baker: Violette Leduc La Bâtarde (2011)
See more of Baker’s paperback (and record album) paintings here.

 

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1890: Castle

castle.png

The castle, Hohenzollern, Germany; photochrom print published between ca. 1890 and ca. 1900 by the Detroit Publishing Co. (source)

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1650: Horse

Horse

Illustration from Il cavallo da maneggio [The Arena Horse] by Giovanni Battista di Galiberto (1650), showing the anatomy of the horse and sites of common ailments and wounds. The full title of the work is Il cavallo da maneggio. : Libro. Dove si tratta della nobilissima virtv del cavalcare, come il cauagliere deue star’ à cauallo, acciò sia chiamato perfetto cauagliere, amato, e stimato da tutti; come si deue domar’ il cauallo, gouernare, inserrare, imbrigliare, amaestrare; in che tempo si deuono pigliar li poledri per ammaestrarli di tempo in tempo, e di scola in scola : della razza dei stalloni, de pelami; de segni d’infirmità che puol accader’ al cauallo : diviso in tre parti, nella prima sitratta del conoscer li caualli, nella seconda il modo di caualcare; nella terza il modo di medicar’ ogni sorte d’infirmità, con tre [tavole] [The Arena Horse. : Book. Wherein is set forth the most noble virtues of horseback riding, how the rider must sit on the horse so that he may be called a perfect horseman, loved and admired by all; How do you tame, govern, rein in, harness, and train the horse; How long the poles should be used to train them, and in what manner: of the breed of the stallions and their coats; of the signs of illness that may attack the horse: divided into three parts, in the first part of knowing the horses, in the second the way of riding; in the third the way to treat all kinds of infirmities, with three {tables}]. (source)

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