2009: Familia Muerta

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Adrián Villar Rojas: My family dead (2009) (source)

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1904: A Nightmare

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In 1904…I was staying at the Hotel Scholastika, on the borders of the Aachensee, in Austria. I dreamed one night that I was walking down a sort of pathway between two fields, separated from these last by high iron railings, eight or nine feet high, on each side of the path. My attention was suddenly attracted to a horse in the field on my left. It had apparently gone mad, and was tearing about, kicking and plunging in a most frenzied fashion. I cast a hasty glance backwards and forwards along the railings to see if there were any opening by which the animal could get out. Satisfied that there was none, I continued on my way. A few moments later I heard hoofs thundering behind me. Glancing back I saw, to my dismay, that the brute had somehow got out after all, and was coming full tilt after me down the pathway. It was a full-fledged night-mare; and I ran like a hare. Ahead of me the path ended at the foot of a flight of wooden steps rising upward. I was striving frantically to reach these when I awoke.

Next day I went fishing with my brother down the little river which runs out of the Aachensee. It was wet-fly work, and I was industriously flogging the water when my brother called out: “Look at that horse!” Glancing across the river, I saw the scene of my dream. But, though right in essentials, it was absolutely unlike in minor details. The two fields with the fenced-off pathway running between them were there. The horse was there, behaving just as it had done in the dream. The wooden steps at the end of the pathway were there (they led up to a bridge crossing the river). But the fences were wooden and small, —not more than four or five feet high, —and the fields were ordinary small fields, whereas those in the dream had been park-like expanses. Moreover, the horse was a small beast, and not the rampaging great monster of the dream —though its behaviour was equally alarming. Finally, it was in the wrong field, the field which would have been on my right, had I been walking, as in the dream, down the path towards the bridge. I began to tell my brother about the dream, but broke off because the beast was behaving so very oddly that I wanted to make sure that it could not escape. As in the dream, I ran my eye critically along the railings. As in the dream, I could see no gap, or even gate, in them anywhere. Satisfied, I said, “At any rate, this horse cannot get out,” and re-commenced fishing. But my brother interrupted me by calling, ” Look out!” Glancing up again, I saw that there was no dodging fate. The beast had, inexplicably, just as in the dream, got out (probably it had jumped the fence), and, just as in the dream, it was thundering down the path towards the wooden steps. It swerved past these and plunged into the river, coming straight towards us. We both picked up stones, ran thirty yards or so back from the bank, and faced about. The end was tame, for, on emerging from the water on our side, the animal merely looked at us, snorted, and galloped off down a road.

—J. W. Dunne, An Experiment with Time (1927) (source)

Wikipedia reports:

An Experiment with Time divides into two main topics.

Continue reading

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2017: The Sky

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Today’s addition to the gallery.

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1495: Relationship Issues

PieroPiero di Cosimo: A Satyr Mourning over a Nymph [The Death of Procris] (c. 1495) (source)

In one version of the myth of Procris, her husband Cephalus abandons her for eight years to test her fidelity, and then, when he returns, seduces her while in disguise. Later, after they patch things up, Procris thinks Cephalus must have a lover, because he is always out “hunting” and one of her servants reports overhearing him calling out to someone named “Nephele” in the woods, when really he was just calling out to a goddess for a cool breeze. The next time he goes hunting, Procris follows him and leaps out of hiding when she hears him call out to Nephele again. Startled, he shoots her with an arrow, and she falls dead.

The dog to the right is Laelaps, the mythological dog who never fails to catch her prey. At some point, Cephalus takes her out to hunt the Teumessian fox, a fox that can never be caught. A paradoxical chase ensues until Zeus has enough of it and turns them into constellations (Canis Major and Canis Minor).

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1692: Water Color

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A page from A. Boogert’s Traité des couleurs servant à la peinture à l’eau [A Treatise on the Colors Used in Watercolor Painting] (1692). Found here.

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2010: I Find Your Lack of Faith Disturbing

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View of Mimas, one of Saturn’s moons, taken by NASA’s Cassini spacecraft on Feb. 13, 2010. Herschel Crater80 miles wideis on the right. (source)

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1910: The Revolution Will Be Colorized

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Klimbin (colorizer): Emiliano Zapata (source)

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1960’s: Music Lessons

Jiří Kolář - Globus s notovými osnovami (1960’s)Jiří Kolář: Globus s notovými osnovami (1960’s) (source)

The literal translation seems to be something like “Globe with a curriculum of musical scores.” So maybe “Globe with Music Lessons”?

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1938: Einstein on the Bridge

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Born in Lithuania,  Ben Shahn learned fresco painting as an assistant to Diego Rivera in the 1930s. As one of the artists commissioned for the New Deal Arts Project’s national mural program, Shahn created murals across the country that emphasized the role of the working class, immigrants, and socialists in shaping the American dream.

This first panel from Shahn’s mural for the community center at Jersey Homesteads (now Roosevelt, NJ)  tells the story of Jewish immigrants from Germany and Eastern Europe: Albert Einstein walks off a metaphorical bridge into the new countrycarrying his beloved violinalong with Shahn’s own mother (Gittel Lieberman Shahn), the painter Raphael Soyer, and Charles Steinmetz, the German-born mathematician and electrical engineer. To their right immigrants toil in textile sweatshops and sleep outside due to the lack of ventilation in their tenement apartments.

The mural appears to be based on based on the structure of the Haggadah, the Passover story of the Jews’ exodus from slavery and oppression.

Image source: here.
Full mural here.
Historical photos here.

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2014: State of the Union

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John Brosio: State of the Union 2 (2014) (source)

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