17th Century: Manual

Tantric Hindu Ritual Manual - Nepal, 17th Century

Tantric Hindu Ritual Manual: Nepal, 17th Century (source)

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2013: Murmuration

Owen Humphries - Starling Murmuration (2013)

Owen Humphries: A murmuration of starlings in Rigg near Gretna, Dumfriesshire, Scotland – November 26, 2013. (source)

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1894: The Angels of the Night

William Degouve de Nuncques - The Angels of Night (1894)

William Degouve de Nuncques: The Angels of Night (1894)

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1894: The Feeling of Dependence

Sascha Schneider - Das Gefühl der Abhängigkeit (1894)

Sascha Schneider: Das Gefühl der Abhängigkeit [The Feeling of Dependence] (1894)

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1715: Plum Blossoms

Ogata Kōrin - 紙本金地著色紅白梅図 - Red and White Plum Blossoms (c. 1715)

Ogata Kōrin: 紙本金地著色紅白梅図 – Red and White Plum Blossoms (c. 1715)

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2012: Gods of New Jersey

Peter Ferguson - Gods of New Jersey (c. 2012)

Peter Ferguson: Gods of New Jersey (c. 2012)

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2nd Century AD: I Was Trained to Run Boldly through Strange Forests

Epitaph for Margarita (Roman, 1st - 2nd Century AD)

A 1st or 2nd century Roman epitaph for a pet dog named Margarita (“Pearl”), written from the point of view of the deceased:

[G]ALLIA · ME · GENVIT · NOMEN · MIHI · DIVITIS · VNDAE
CONCHA · DEDIT · FORMAE · NOMINIS · APTVS · HONOS
DOCTA · PER · INCERTAS · AUDAX · DISCVRRERE · SILVAS
COLLIBVS · HIRSVTAS · ATQVE · AGITARE · FERAS
NON · GR · AVIBVS · VINCLIS · VNQVAM · CONSVETA · TENERI
VERBERA · NEC · NI · VEO · CORPORE · SAEVA · PATI
MOLLI · N · AMQVESINV · DOMINI · DOMINAEQUE · IACEBAM
ET · NORAM · IN · STRATO · LASSA · CVBARE · TORO
ET · PLVS · QVAM · LICVIT · MVTO · CANIS · ORE · LOQVEBAR
NVLLI · LATRATVS · PERTIMVEREMEOS
SED · IAM · FATA · SVBIL · PARTV · IACTA · SINISTRO
QVAM · NVNC · SVB · PARVO · MARMORE · TERRA · TEG[I]ET

MARGARITA

Gaul gave me my birth and the pearl-oyster from the seas full of
treasure my name, an honour fitting to my beauty.
I was trained to run boldly through strange forests
and to hunt out furry wild beasts in the hills
never accustomed to be held by heavy chains
nor endure cruel beatings on my snow-white body.
I used to lie on the soft lap of my master and mistress
and knew to go to bed when tired on my spread mattress
and I did not speak more than allowed as a dog, given a silent mouth
No-one was scared by my barking
but now I have been overcome by death from an ill-fated birth
and earth has covered me beneath this small piece of marble.

Margarita (‘Pearl’)

(source)

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1875: An Absolute Democracy

Louis Auzoux - Model of a queen bee (Paris, 1883)

The notion has always very generally prevailed that the queen of the bees is an absolute ruler, and issues her royal orders to willing subjects. Hence Napoleon the First sprinkled the symbolic bees over the imperial mantle that bore the arms of his dynasty; and in the country of the Pharaohs the bee was used as the emblem of a people sweetly submissive to the orders of its king. But the fact is, a swarm of bees is an absolute democracy, and kings and despots can find no warrant in their example. The power and authority are entirely vested in the great mass, the workers. They furnish all the brains and foresight of the colony, and administer its affairs. Their word is law, and both king and queen must obey. They regulate the swarming, and give the signal for the swarm to issue from the hive; they select and make ready the tree in the woods and conduct the queen to it.

John Burroughs: “The Pastoral Bees” (1875)

Image: Louis Auzoux: Papier-mâché model of a queen bee (Paris, 1883) (source)

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16th Century: Dog and Cat

portrait-of-a-young-man-with-a-dog-and-a-cat

Dosso Dossi: Portrait of a Young Man Holding a Dog and Cat (16th Century)

“This kind of moody portrait, or image of a particular human type, was popularised by Giorgione: here the dog and cat may allude to conflicting sides of the man’s personality….The exotic sitter has also been described as a young woman.” (source)

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1950: Murals

Cocteau Murals

“In the Spring of 1950, Francine Weisweiller invited…Jean Cocteau to the villa for dinner and basically he and his handsome boyfriend…Edouard Dermit ended up moving in and staying for 13 years….Cocteau offered to do a drawing over the fireplace in the main living room. Over time the whole house ended up like a piece of art, mosaic flooring, walls and even the ceilings were covered with his work and all in representation of the individuals and the lives they were leading there.” (Sources here and here.)

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