1710: Anonymous Violin

BK-NM-12400-91b

BK-NM-12400-91

Then indeed the marvellous instrument appeared in all its unrivalled splendor. Its graceful curves, its fugitive lines of beauty were such as might drive a Stradivarius wild. Its glaze was of an incomparable limpidity, and the blue in its design recalled the deep blue of the skies of Spain. The potter’s art had never made a greater triumph. Over the whole surface, not a flaw, not a crackle in the glaze, even where the delicate curvature of the neck resolved itself into the main portion of the body.

Dalègre grew green with suppressed jealousy, and when Gardilanne turned the instrument over, and displayed its back, there came a swimming before his eyes. It seemed to the Nivernais as if he could never support the sight of that chef-d’œuvre of design. In the clouds were angels, with ‘cellos, supporting a scroll on which was the legend: Musica et gloria in aer; while, beneath, courtiers in the dress of Louis XIV. clustered round a fair dame at the harpsichord. Gardilanne wished for a hundred eyes, like Argus, to properly enjoy his acquisition.

—Champfleury, The Faience Violin (1861) (source)

Anonymous: Faience Violin (c. 1705 – c. 1710) (source)

 

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1969: Big Sea

Vija Celmins. Untitled (Big Sea #1), 1969

Vija Celmins: Untitled (Big Sea #1) (1969)

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1737: Anti-Depressant

Phillip V     Farenelli

It has been often related, and generally believed, that Philip V King of Spain, being seized with a total dejection of spirits, which made him refuse to be shaved, and rendered him incapable of attending council or transacting affairs of state, the Queen, who had in vain tried every common expedient that was likely to contribute to his recovery, determined that an experiment should be made of the effects of Music upon the King her husband, who was extremely sensible to its charms. Upon the arrival of Farinelli, of whose extraordinary performances an account had been transmitted to Madrid from several parts of Europe, but particularly from Paris, her Majesty contrived that there should be a concert in a room adjoining the King’s apartment, in which this singer performed one of his most captivating songs. Philip appeared at first surprised, then moved; and at the end of the second air, made the virtuoso enter the royal apartment, loading him with compliments and caresses; asked him how he could sufficiently reward such talents; assuring him that he could refuse him nothing. Farinelli, previously instructed, only begged that his Majesty would permit his attendants to shave and dress him, and that he would endeavour to appear in council as usual. From this time the King’s disease gave way to medicine; and the singer had all the honour of the cure. By singing to his Majesty every evening, his favour increased to such a degree that he was regarded as first minister; but what is still more extraordinary, instead of being intoxicated or giddy with his elevation, Farinelli, never forgetting that he was a musician, behaved to the Spanish nobles about the court with such humility and propriety, that instead of envying his favour, they honoured him with their esteem and confidence.

The American Magazine of Wit; a Collection of Anecdotes, Stories, and Narratives (1808)

Farinelli was the stage name of Carlo Maria Michelangelo Nicola Broschi, an Italian castrato singer who is considered one of the greatest opera singers in history. He arrived in Madrid to sing for the king in August of 1737.

Images: Jean Ranc: Portrait of King Philip V of Spain (1723)
Corrado Giaquinto: Portrait of Farinelli (c. 1755)

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2012: The Geography of Incarceration

Begly Geography of Incarceration

“The United States is the prison capital of the world. This is not news to most people. When discussing the idea of mass incarceration, we often trot out numbers and dates and charts to explain the growth of imprisonment as both a historical phenomenon and a present-day reality. But what does the geography of incarceration in the US actually look like? Prison Map is my attempt to answer that question.”     Josh Begley

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1943: Hazel Ying Lee

Hazel Ying Lee

After Hazel Ying Lee earned her pilot’s license in Portland, Oregon in 1932, she traveled to China with the hopes of joining the Chinese air force and helping to fend off growing Japanese aggression. Turned down because she was a woman, she became a private airline pilot for a number of years, but then returned to the United States in 1938. She joined the Women Airforce Service Pilots (WASP)  shortly after its creation in 1943, becoming the first Chinese-American woman pilot to fly for the US military.

Assigned to the third Ferrying Group at Romulus, Michigan, Lee flew American fighter planes like the P-63 Kingcobra, P-51 Mustang and P-39 Airacobra from aircraft factories to their deployment areas.

On Thanksgiving Day 1944, Lee was killed in a mid-air collision; she was 32 years old.

(sources here and here)

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1830: What Color is Your Face Type?

Drie gezichtstypen met bijbehorende kleuren 2Joannes Bemme, after David Pièrre Giottino Humbert de Superville: Drie gezichtstypen met bijbehorende kleuren [Three Face Types with Corresponding Colors], an illustration from Essai sur les signes inconditionnels dans l’art [Essay on Universal Symbols in Art] (1827-1830) (source)

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1898: Hope

Luc-Olivier Merson et Charles Girault - L'Espérance (1897-98)

Luc-Olivier Merson and Charles Girault: L’Espérance (1897-98) (source)

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2001: Anatomy of a Centaur

Masao-Kinoshita_40

Masao Kinoshita: ケンタウロス [Centaur] (2001) (source)

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1874: Night Rushed Down from Heaven

moore

Henry Moore: Rough Weather in the Mediterranean (1874)

ὣς εἰπὼν σύναγεν νεφέλας, ἐτάραξε δὲ πόντον
χερσὶ τρίαιναν ἑλών: πάσας δ᾽ ὀρόθυνεν ἀέλλας
παντοίων ἀνέμων, σὺν δὲ νεφέεσσι κάλυψε
γαῖαν ὁμοῦ καὶ πόντον: ὀρώρει δ᾽ οὐρανόθεν νύξ.

Odyssey V, 291-294

So saying, [Poseidon] gathered the clouds, and seizing his trident in his hands troubled the sea, and roused all blasts of all manner of winds, and hid with clouds land and sea alike; and night rushed down from heaven. (A. T. Murray, trans.)

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1900: Would Christ Belong to a Labor Union?

Carpenter

At the end of Cortland Meyer’s 1900 novel Would Christ Belong to a Labor Union? or Henry Fielding’s Dream (here), the title charactera working man and staunch trade unionist—has a dream of what it would be like to own and run a factory according to Christian principles:

After two years of hardest toil and almost rigid exemplification of the principles of his Christian life, Henry Fielding stood in the presence of all his employees, to say :

“The plan which has been adopted here so far will be continued. We will meet every six months, and talk over the interests of this business, because its welfare concerns you just as much as it does me. I propose that you shall have your just share of its profits. I shall not hold any selfish secret from you. I am not only willing, but desirous, that you shall know the condition of the business, and that you shall pass your opinion concerning the share which you think you should receive.

“The risk is mine, the plan and strain are mine, and I am confident that you will recognize all this. I am willing to trust you, and when I cannot, I must cease to conduct the business. I take you into my confidence, and I want you to call this your business. I do not believe much in some kinds of co-operation. Most all of the attempts in calculating and mathematical methods have failed ; but I do believe in this kind of co-operation, and it is a vital part of my Christianity. If I cannot do business right, I will not do it at all. If I cannot do it as a Christian, I will not do, it at all. If I cannot do it with your love, and deepest interest and satisfaction, I do not wish to do it at all. The little money that is in it is of minor and trivial importance. Of what value is money, when it rests in the selfish hand, or is the treasure of a slave-holder ? Money is only good to invest in other lives, and in eternal interests. That is the way I look at this business. It is the best channel for mutual helpfulness.

“If you have any grievance, don’t hold it, and increase it, but come right to me, and we will talk it over as brother men should.

“Shall you continue to have your union ? Yes. Make it just as valuable as you possibly can. Protect yourselves, and your fellow man. Protect your skill ; secure the best legislation. Make the union an educational factor. Increase its power for good. Give the needy in it a share in your prosperity. Look after the sick and the sorrowing. Do not lose sight of the great object of your organization. I am not afraid of it. It is a friend to my factory, if we do as I have suggested, and as I have agreed to do by you. Mutual understanding and mutual sympathy is our salvation.”

See also Futility Closet Podcast Episode 107: Arthur Nash and the Golden Rule: “In 1919, Ohio businessman Arthur Nash decided to run his clothing factory according to the Golden Rule and treat his workers the way he’d want to be treated himself.”

Image: François Lafon: The Son of the Carpenter (1896)

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